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In this lesson we'll subject you to some verbs and predicates. Each one is a necessary part of a complete breakfas—er...sentence.
Choosing words carefully is important. You may end up vexing the assemblage of citizens you're conversing with...or you might even just plain bore...
ELA 4: Direct and Indirect Characterization 1159 Views
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Description:
Characterization is important in any story. Unless it's a story by an existentialist. In that case, who cares? What difference does anything really make?
Transcript
- 00:03
[Dino and Coop singing]
- 00:12
Think about this.
- 00:14
All of your favorite characters started out as an idea in an author’s head, crazy right. [Boy sat at a laptop thinking of character ideas]
- 00:20
And once that idea took root, it was up to the author to nurture it into a fully developed character.
- 00:25
Nurturing is a pretty important part of writing a character. [Character grows out of a vegetable patch]
Full Transcript
- 00:29
Because sure, the author has a clear idea of how a character acts, thinks, speaks, and feels,
- 00:34
but unless we climb inside their brain, we're gonna be in the dark. After all the author can't just say [Man looking scared inside someones brain]
- 00:39
You know exactly how Henry would react to this right? [Monsters approach Henry]
- 00:42
Because no, we don't know how Henry would react.
- 00:46
So how can an author communicate what their character is all about, through characterization,
- 00:50
which breaks down into two types: direct characterization, and indirect characterization.
- 00:56
Direct characterization is as basic as characterization gets: all it does is tell the reader what [Coop pointing at a blackboard]
- 01:02
the character's like.
- 01:03
So if the author is writing about a basketball player who's tall and shy, direct characterization [Basketball player appears]
- 01:08
would look something like this: "The basketball player was tall and shy."
- 01:12
Not exactly the fanciest sentence in the world, but it gets the job done.
- 01:15
With indirect characterization however, the reader has to infer, or guess, the character's [Dino pointing at a blackboard]
- 01:20
traits based on what the character does, says, feels, thinks, and how the story unfolds.
- 01:26
If the author wanted to describe that same shy basketball player using indirect characterization,
- 01:31
they wouldn't just write "Hey, this basketball dude is shy!"
- 01:35
Good thing too that'd probably embarrass our poor basketball bud. [Basketball player runs away]
- 01:39
Instead, using indirect characterization, they'd write scenes where the character acts
- 01:44
shy.
- 01:45
Like maybe we see how much he hates meeting new people, or how uncomfortable he is raising his hand in class [Basketball player looks terrified]
- 01:51
There’s one thing in a book that gives the author a whole bunch of options for characterization
- 01:56
Take first person: when we see the narrative through one character's eyes. [Point of view footage on a roller coaster]
- 02:00
Since this perspective gives us a clear view of what's in one character's head, their thoughts
- 02:05
and feelings can be revealed directly.
- 02:07
That said, first person also gives a lot of wiggle room for indirect characterization.
- 02:11
How? Well, there’s the indirect characterization of all the characters whose points of view [Dino grabs hold of another toy and hits it into the floor]
- 02:16
we’re not seeing through… You know like our main characters best friend our their annoying big sister.
- 02:22
And even the protagonist can be revealed through indirect characterization.
- 02:26
Most of the time, shy people don't just stand around thinking, "I am shy," so a quality
- 02:30
like shyness can still be revealed indirectly through actions rather than direct description. [Sped up footage of a busy street]
- 02:35
The same range of options is available in third person: which is when the narrative isn't told
- 02:39
through any particular character's perspective.
- 02:41
Since we're not limited to what one character knows, all of the characters can be directly [Kid hitting on older person on the head with a rubber duck]
- 02:46
described if the author wants.
- 02:48
Or, if they want to hold back a bit, they can let actions and dialogue reveal character [Someone typing on a keyboard]
- 02:52
traits indirectly.
- 02:53
Whether it's done directly or indirectly, characterization is incredibly important if
- 02:56
an author wants their characters to really jump off the page. [Characters jump off of books onto a desk]
- 02:59
And guess what, they can use characterization to tell us how good the character is at jumping.
- 03:04
Like that shy basketball player?
- 03:06
Probably a great jumper.
- 03:07
But also, probably doesn’t love when everybody’s making a big deal about it. [Basketball player jumps and puts the ball in the hoop]
- 03:10
Sorry dude, we'll stop calling you out on this video, this must be a nightmare for you huh? [Basketball player looks upset and slides down his classroom chair]
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