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American Literature: What Rhymes with "Puritan"? 9907 Views
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Buckle up, Shmoopers. Today, we're talking about the wildest, most sinful topic we've ever covered: Puritan poetry. What, you thought we were serious? C'mon, this is Shmoop. We can't even think about being rated R without feeling guilty.
Transcript
- 00:24
I don't know how the Puritans used to walk around in these shoes had they never [Statue of liberty talking about puritan shoes]
- 00:28
heard of sandals hmm Puritan what does that even mean well it
- 00:33
has the word Pure in it which is probably a good hint you might be
- 00:36
picturing a typical Puritan right now showing tons of skin drinkin booze [Man drinking booze at a bar]
- 00:41
wearing like a sailor yeah not quite Puritans were well mannered quiet and
Full Transcript
- 00:46
restrained it's how they thought God wanted them to
- 00:48
be and it's tough to bare your soul when you can't even bare your ankle but [Puritans in a field]
- 00:53
Bradstreet saw an opportunity to enlighten the world that revolved around
- 00:56
her perspective as a chaste Christian woman in the 17th century the Puritans
- 01:02
were big on keeping emotion bottled up so it was especially brave of Bradstreet [Emotions in bottles in a fridge]
- 01:06
to buck the norm by waxing poetic about repression and self-denial taking the
- 01:10
traits that usually prevented Puritans from expressing themselves and turning
- 01:14
them into the subject of some amazing poetry alright so who was this Anne
- 01:19
Bradstreet she was born in 1612 died in 1672....60 years did some stuff in between [Anne Bradstreet on a timeline]
- 01:26
since there were no female authors before her in the Puritan community she
- 01:31
was something of a trailblazer paving the way for other women and it wasn't
- 01:34
easy women were not valued beyond their abilities to reproduce and keep a clean [Woman with vomiting babies in a kitchen]
- 01:39
home which made Anne's writing prowess all the more remarkable because she was the
- 01:43
first American female poet of note in her era she had no mentors ahead of her, no
- 01:48
influences she could point to...At least not locally and besides it wasn't nice [Anne points to Sappho]
- 01:52
to point when she started writing her work wasn't meant to be published you
- 01:57
can imagine her sitting on a farm bored.. watching goats grow she's looking for
- 02:01
something to do her writing was just for the fam to sit around and enjoy then
- 02:05
read to make the kids fall asleep but her collection contemplations
- 02:09
and several poems compiled a great variety of wit and learning would
- 02:12
eventually be published both after her death so yes they never had a chance to
- 02:16
write the film adaptation okay so let's take a gander at one of Anne's poems
- 02:19
titled before the birth of one of her children it's the old pause-olan til
- 02:24
you're done digesting it before the birth of one of her....... [Anne's poem appears]
- 02:37
oh okay well what on earth did all that mean it's like a lot of images are
- 02:41
thrown down on the page and we're supposed to just to figure out what they [Images appear on a piece of paper]
- 02:43
mean when they clash so let's start with the basics the key things we're looking
- 02:48
for in a poem imagery, audience and purpose, rhythm and rhyme, tone and
- 02:53
meaning we'll start with imagery and see if we can start to piece together this
- 02:57
poems meaning what sorts of mental images does Bradstreet give us when the
- 03:02
knot untied that made us one move that's a pretty good one sinks tying the knot [Married couple appear]
- 03:06
that was sort of 17th century speak for getting married long lay in thine arms also
- 03:11
paints a picture that is a picture of a dead woman lying in the arms of her
- 03:14
husband and who with salt tears this last farewell to take is a visually powerful [Tear falls on pile of salt in mans hand]
- 03:20
ending so yeah she's sad to be gone feels like it maybe took her a long
- 03:26
sad time to say goodbye so let's just revel in the powerfully depressing
- 03:31
imagery a woman is married dies in her husband's arms and they cry as they say
- 03:35
goodbye why is such a big deal don't most people cry when their spouse dies [Man crying]
- 03:39
well in the era of arranged marriages maybe not we clearly need more input to
- 03:45
figure out what this poem is actually about...So what about the audience and
- 03:48
purpose who was the author talking to and why is she bothering to write at all
- 03:52
well she's addressing the poem to my dear and since she's pregnant it's safe
- 03:57
to assume she's talking to her husband why is the focus of the entire poem death and
- 04:03
despair talk doesn't that ruin date night well at least Anne doesn't seem worried
- 04:09
about anything death related it's not like the works dead, death and grave keep [Death, dead and grave words appear from poem]
- 04:14
popping up hmm okay so she's writing to her husband because she's concerned
- 04:19
about death check... major check we're not sure yet who's
- 04:22
death or why someone might be dying but at least we're on the right track we [Car drives off edge of a cliff]
- 04:27
hope but we need more clues this is a really vague poem and at this point we
- 04:31
still have no idea what it's really talking about
- 04:33
so more clues what's the deal with a rhythm and rhyme of the poem the rhyming
- 04:37
scheme should be easy to spot and identify each line rhymes with the
- 04:40
following line end, attend, sweet, meet irrevocable, inevitable note that there
- 04:46
are 10 syllables per line and the stressed syllables alternate all things
- 04:50
within this fading world hath end... every other line rhymes and every other
- 04:56
syllable is stressed isn't there a term for
- 04:58
that paging Mr. Shakespeare or Alex Trebek [Shakespear and Alex Trebek appear on Jeopardy]
- 05:01
for 500 what is Iambic pentameter ding-ding-ding each pair of unstressed
- 05:06
and stressed syllables is afoot and since there are five feet in a line and
- 05:10
Penta is Greek for five and we're dealing with iambic pentameter pretty
- 05:16
much everything Bradstreet wrote was an iambic pentameter so there was clearly [Peoples toes wiggle]
- 05:19
something about counting toes that grabbed her but does that rhythm and
- 05:23
rhyme scheme help us figure out what the poem is about no really not at all so we
- 05:28
keep looking next up what's the tone of the poem the tone is joyous obviously
- 05:34
all that dreary, despairing death talk really lifts the spirit no this poem is [Guys celebrating Christmas]
- 05:40
not an upper...Anne wants us to feel what she's feeling to gloom and doom
- 05:44
desperation worry it's almost as if we're sitting down and have a
- 05:48
heart-to-heart with mom about our future and yeah it might seem like a bummer
- 05:52
that Bradstreet is trying to bring us down but poetry is all about making us [Anne reciting a poem on stage]
- 05:56
feel emotion in this case that emotion happens to be of this sad variety...
- 06:01
well you still don't really know what all this is about why is she down why so
- 06:05
gloomy and doomy what's making her so miserable a woman's condition with
- 06:09
limited freedom of the era nah, a classic thinking about the rich having
- 06:12
it all and before having nothing nope melancholy turn that she can't live [Anne Bradstreets gravestone]
- 06:16
forever maybe there's clearly more here or we wouldn't
- 06:20
be reading those lines 300 years later so we search on which brings us to
- 06:25
meaning finally Bradstreet is referring to herself and her unborn child here we
- 06:31
know that much from the title was that unborn child the dead she mentioned [Ghost baby appears]
- 06:35
earlier maybe maybe not we have to dig into the words what did the line to the
- 06:40
poem tell us what is the knot the ties together the umbilical cord II pretty
- 06:45
literal and kind of ew.... probably not where the author was going maybe she's
- 06:49
talking about the bond they have as a mother and daughter... what's our
- 06:52
evidence? find it in the tone is the vibe of a mother talking to her daughter [Anne with lots of jars of pickles]
- 06:56
another question why is the knot going to be untied it's awfully early to be
- 07:00
worried about our kid running away from home so none of this really clicks..The
- 07:04
answer ie what the poem is really talking about has to be something very
- 07:07
different and it is at this point given the vastly dark language and imagery and
- 07:12
tone no big surprise she's talking about death here yes but why why the huge [Death appears with a scythe]
- 07:18
focus on death at a time of a birth isn't a life about to be brought into
- 07:21
the world isn't that a happy happy occasion joy love helium filled balloon
- 07:25
shaped like butts with faces on them well yeah, birth would normally be a
- 07:30
happy occasion except for one minor detail [Anne laying on a bed and a rat on top of her]
- 07:32
the Puritans lived in a completely different era when it came to health and
- 07:36
birth risks oh and there was definitely no Obamacare...
- 07:39
back then it was exceedingly the common for this to happen when a woman was
- 07:43
giving birth yeah medicine in those days was [Woman dead after giving birth]
- 07:46
basically a couple of guys in white hats trying to figure out how to not
- 07:50
accidentally kill someone with a scalpel or a leech...you got your hair cut and
- 07:54
your teeth pulled at the same place and babies and mothers dying together was
- 07:59
sadly common the knot Bradstreet's talking about doesn't have to do with
- 08:04
her kid it has to do with her husband ie the bonds of marriage yep that's the
- 08:08
ticket if you go with that concept everything else falls into place if the [Statue of liberty discussing poem]
- 08:11
woman in this poem does die she's going to long lay in thine arms, she's asking
- 08:16
hubby to look over their children by saying look to my little babes, which is a [Anne's husband with 3 baby's]
- 08:20
lot of pressure no wonder men traditionally pass out in a delivery
- 08:23
room so this poem is basically a written confession of Anne's worries about
- 08:28
giving birth now it makes a ton of sense and it's a big deal because the belief
- 08:32
then was that Eve ate the apple and this was just a Gods way but now we have
- 08:37
a woman who's openly worrying that God's way may not go her way
- 08:41
almost blasphemy for that era but she wrote it, it stuck and that's why we're
- 08:46
still reading about it 300 plus years later okay [Before the birth poem stuck on green goo]
- 08:49
poem number two pause and peruse.....
- 08:59
so we have a lot less to work with here
- 09:01
what does this one mean let's go back to our little formula for understanding poems...
- 09:05
we start with the imagery I prize thy love more than whole mines of gold so what on
- 09:12
earth does it mean prizing love, mines of gold great images
- 09:15
the author loves love and we have more images my love is such that rivers
- 09:20
cannot quench hot dry love...very Romeo so what does this mean see
- 09:26
rivers and mind with a mystical spin anyone else picturing token glimmer [Man with magnifying glass in the mountains]
- 09:31
she's clearly obsessed with the concept of love..does she have it, need it, just love
- 09:37
talking about it no answers yet so we'll press forward next clue audience who is
- 09:41
the audience here well since the poem is entitled to my
- 09:44
dear and loving husband we're going to go on a limb and say she's talking to
- 09:47
her pet ferret yeah no it's not really the ferret it's her husband bonus [Anne with a pet ferret bouncing on a ball]
- 09:53
points and we call her bluff... moving on so how about rhythm and rhyme
- 09:56
look like we've got an iambic pentameter fan in our five-fingered hands because
- 10:00
she's at it again we, thee, man, can, gold, hold.. poem is made of sets of ten
- 10:06
syllable rhyming couplets why the rhyming couplets well there's structure [Couplets attached to feet]
- 10:10
Puritans live for structure and one can guess that she took comforted couples
- 10:14
and couplets... does this help us understand the poem it doesn't get us to
- 10:18
the meaning no but a rhyme scheme can set a tone or mood depending on the
- 10:22
rhythm it can make a poem seem frantic or leisurely, discordant or melodic it
- 10:27
can provide an emotional backdrop to the poems story but we're looking for [People in truck searching for meaning]
- 10:30
meaning on we go.... so tone the tone is somehow more upbeat than the utter joy
- 10:38
ride that was the first poem Bradstreet's one mention of death in
- 10:41
this poem at the very end is used to say that even grim reaper can't keep them
- 10:45
apart they'll find love together in the afterlife but the rest of the poem [Anne with love hearts singing]
- 10:49
smacks of someone who's so desperately in love she's singing from the rooftops
- 10:53
let us count the ways... shout-out to love ask your parents about
- 10:58
Paul McCartney who wrote silly love songs - let's keep going we need the
- 11:02
deeper meaning here what is Bradstreet actually saying well that she's in love.... yeah
- 11:09
that's about it check out the first three lines
- 11:11
repetition of the words if ever drives home the idea that no two people were
- 11:15
ever more connected no man was ever more loved by his wife and no wife was ever [Anne holding giant magnet and husband attaches]
- 11:20
happier... she goes on to say that she values his love more than mines full
- 11:25
of gold and her love is so unquenchable that an entire river would still leave
- 11:30
her parched and she says that her husband's love is such an
- 11:33
incredible gift, there's no way she could repay it so she hopes he's rewarded by
- 11:37
the heavens for his tenderness in affection [God gives Mr Bradstreet trophy]
- 11:39
seems like a sneaky way to get out of buying a Valentine's Day present so why
- 11:44
is it such a big deal for a wife to gush love like this about her hubby
- 11:47
well in those days pre-arranged marriages were common the norm even the idea of
- 11:52
human love being so passionate and consuming flew in the faces of vastly
- 11:56
stayed and disciplined love of God that Puritan's were supposed to be all about
- 12:00
yes Tres-scandalous to have that human on human love thing going on and the
- 12:05
fact that it was all pointed out by a woman makes it all the more poignant of [Anne singing at convention]
- 12:09
a poem that's why we still read it three hundred years after it was written... okay almost
- 12:14
done; the final poem is verses upon the burning of our house so let's get to it
- 12:19
here we go pause and read......
- 12:29
So third poem you're flying solo for this one ace, we won't hold your hand
- 12:33
like we did with the first two but we'll give you a few hints stick to the [Man in aircraft cockpit]
- 12:36
structure we've outlined and it will be literary crutches for you to lean on
- 12:40
remember you're looking for imagery, audience and purpose, rhythm and rhyme,
- 12:43
tone and meaning the meantime Anne has gotten me in the mood to find love [Statue of liberty holding mobile phone on tinder]
- 12:48
single, green female seeks 300 foot tall copper companion let's see if I get any
- 12:54
takers....
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