How we cite our quotes: Citations follow this format: (Part.Chapter.Paragraph)
Quote #16
Dean stands in the back, saying, "God! Yes!" - and clasping his hands in prayer and sweating. "Sal, Slim knows time, he knows time." Slim sits down at the piano and hits two notes, two Cs, then two more, then one, then two, and suddenly the big burly bass-player wakes up from a reverie and realizes Slim in playing "C-Jam Blues" and he slugs in his big forefinger on the string and the big booming beat begins and everybody starts rocking and Slim looks up just as sad as ever, and they blow jazz for half an hour, and then Slim goes mad and grabs the bongos and plays tremendous rapid Cubana beats and yells crazy things in Spanish, in Arabic, in Peruvian dialect, in Egyptian, in every language he knows, and he knows innumerable languages. Finally the set is over; each set takes two hours. Slim Gaillard goes and stands against a post, looking sadly over everybody’s head as people come to talk to him. A bourbon is slipped in his hand. "Bourbon-orooni - thanky-ou-ovauti..." (II.11.8-II.11.9)
The characters who seem to understand time best are separate from others in some way. Shearing is blind, and Slim speaks in his own odd language. Dean attempts to cross the barriers and get close to these individuals so that he, too, might "know time."
Quote #17
"We’re going to Italy," I said, I washed my hands of the whole matter. Then, too, there was a strange sense of maternal satisfaction in the air, for the girls were really looking at Dean the way a mother looks at the dearest and most errant child, and he with his sad thumb and all his revelations knew it well, and that was why he was able, in tick-tocking silence, to walk out of the apartment without a word, to wait for us downstairs as soon as we’d made up our minds about time. This was what we sensed about the ghost on the sidewalk. I looked out the window. He was alone in the doorway, digging the street. Bitterness, recriminations, advice, morality, sadness - everything was behind him, and ahead of him was the ragged and ecstatic joy of pure being. (III.3.21)
Dean’s new sense of time ostracizes him from the gang, just as the others who know time are made separate from the rest of the world.
Quote #18
"Now, Roy, I know you’re all hung-up with your wife about this thing but we absolutely must make Forty-sixth and Geary in the incredible time of three minutes or everything is lost. Ahem! Yes! (Cough-cough.) In the morning Sal and I are leaving for New York and this is absolutely our last night of kicks and I know you won’t mind." (III.3.41)
We can see Dean’s sense of urgency when he discusses time – he speaks in absolutes, that he "must" and "has to" get certain things done.