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Playlist Their Eyes Were Watching God: Shmoopversations 10 videos

0
Their Eyes Were Watching God Part 1: Preface
14397 Views

Their eyes might’ve been watching God, but our eyes are watching Zora Neal Hurston. Hit play to learn more about Hurston and the Harlem Renaissance.

1
Their Eyes Were Watching God Part 2: Narrative Structure
6829 Views

Their Eyes Were Watching God is about Janie’s coming of age story towards the path of self-discovery, just like Luke from Star Wars. Seriously, J...

2
Their Eyes Were Watching God Part 3: Vernacular
4788 Views

So ye be wantin’ to learn more about vernacular? Arrr...then keep a weather eye out...and...wait. This book wasn’t written in pirate vernacular...

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Their Eyes Were Watching God Part 4: Janie 27288 Views


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Description:

Instead of being shoved into a cookie cutter mold, Janie breaks free and builds a gingerbread house of self-discovery and individuality. Great. Now we’re hungry. Guess we’ll satisfy our hunger with this video.


Transcript

00:01

We speak student!

00:06

Their Eyes Were Watching God

00:07

Janie

00:09

a la Shmoop

00:10

Walk us through

00:12

how Janie is first presented to us

00:15

and how she evolves,

00:16

because, boy, she changes

00:18

through this and the pears and honey bees

00:20

that she kind of relates to in the beginning of the story

00:23

- seem awfully innocent by the end. - Yeah.

00:25

It's a classic coming of age story,

00:27

and so we're gonna have that path from

00:29

innocence to maturity, or innocence to loss of innocence.

00:33

And, at the beginning, Janie's just really curious

00:35

about the world.

00:36

She says that she started her life

00:39

when she left Nanny, so when she left her grandma's.

00:42

So we can kind of think of that as

00:44

the jumping-off point. And she was young.

00:45

She was a teenager when she got married.

00:47

And that's when she started her journey to self-discovery.

00:49

Unfortunately, that was not an easy journey.

00:52

She meets several men who really wanna suppress

00:57

that individuality and suppress that desire to discover herself.

01:02

So she has Logan, who really just wants to

01:05

turn her into a mule, like into a work horse.

01:08

And Joe, who puts her on a pedestal,

01:12

and doesn't -- He wants her to be seen and not heard.

01:16

Joe becomes the mayor. She's the mayor's wife,

01:19

and he's kind of like, "Oh, no, she can't give any speeches."

01:21

It's very clear that he kind of idolizes her,

01:25

- but in a... - As a decoration.

01:26

Exactly. Exactly right.

01:28

And the names of these characters

01:32

show us this. It's Logan Killick

01:35

and Joe Stark. It's very clear what's happening here

01:38

is that these men are really suppressing the individuality of the woman.

01:40

Eventually, Janie really just begins

01:43

to detach herself from what's going on.

01:46

And she has what she kind of considers this inner self,

01:48

and the outer self.

01:49

And the inner self is the one that's on this journey

01:51

to self-discovery and trying to be strong.

01:54

The outer self is totally stoic.

01:56

And so she starts pretending that nothing's happening.

01:59

So to the outside world,

02:00

people seem to think, "Oh, she's putting up with this?

02:03

She's doing this?" But on the inside, she's like

02:05

really kind of riled up and trying to get through it.

02:08

She does make a lot of active decisions.

02:10

She leaves her first husband for her second.

02:13

And she gives Joe, her second husband, a piece of her mind.

02:18

So she's very active in what she does

02:20

in some instances,

02:21

but, for the most part, she really just starts to detach herself

02:23

and is very flat on the outside.

02:26

So my sense of the character is

02:29

that it's -- I don't know who's being indicted here,

02:33

meaning is it the lack of choice of good men

02:37

who actually respect her brain? They're just not out there?

02:40

Or they are out there and they're not attracted to her

02:43

and so she feels bad about that?

02:44

Or is desperate?

02:46

Or is it kind of the plight that she's in

02:49

being a Black woman at this time?

02:51

She just didn't have a whole lot of choices to start with

02:54

and having a brain was a hinderance?

02:56

If you were happy being a mule

02:58

or happy being a decoration, well, life was great.

03:00

But she wasn't that. She didn't fit that normal mold.

03:04

So is there a message here? What's your read?

03:07

That is an awesome question, because that is exactly what Hurston wants us to ask.

03:12

What Hurston is trying to do is show us

03:14

a bunch of different people who do not fit a mold.

03:17

So Janie is one type of person

03:19

who has this inner and outer self

03:22

that she can't -- She's strong on the outside, not on the inside,

03:25

kind of strong on the inside.

03:26

And that people don't have to fit a perfect mold.

03:28

And that not all men are bad. Not all men are good.

03:31

Not all women are bad or good.

03:32

Whites, Blacks. And she's trying to show us that.

03:34

That's kind of part of what got her in trouble

03:37

in the Harlem Renaissance

03:37

is that a lot of these male Black authors said,

03:41

"We should be glorifying Black culture." And here she's kind of showing that

03:45

Black men are kind of jerks sometimes.

03:48

And Janie makes mistakes and kind of

03:50

no one is perfect and no one is a pure villain.

03:53

And she's really trying to show shades of grey.

03:55

So asking, "Who is it that's being indicted here?"

03:57

That's a great question, because it's almost everyone and no one at the same time.

04:01

[ pen writing ]

04:03

What comprises Janie's inner character and outer character?

04:08

Who are Janie's husbands? What are they all about?

04:12

What is Hurston trying to tell us

04:14

about how people fit into stereotypes?

04:21

Let's see. It's a weird phrasing.

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