Vanity Fair Full Text: Chapter 47 : Page 1
Gaunt House
All the world knows that Lord Steyne's town palace stands in Gaunt Square, out of which Great Gaunt Street leads, whither we first conducted Rebecca, in the time of the departed Sir Pitt Crawley. Peering over the railings and through the black trees into the garden of the Square, you see a few miserable governesses with wan-faced pupils wandering round and round it, and round the dreary grass-plot in the centre of which rises the statue of Lord Gaunt, who fought at Minden, in a three-tailed wig, and otherwise habited like a Roman Emperor. Gaunt House occupies nearly a side of the Square. The remaining three sides are composed of mansions that have passed away into dowagerism--tall, dark houses, with window-frames of stone, or picked out of a lighter red. Little light seems to be behind those lean, comfortless casements now, and hospitality to have passed away from those doors as much as the laced lacqueys and link-boys of old times, who used to put out their torches in the blank iron extinguishers that still flank the lamps over the steps. Brass plates have penetrated into the square--Doctors, the Diddlesex Bank Western Branch--the English and European Reunion, &c.--it has a dreary look--nor is my Lord Steyne's palace less dreary. All I have ever seen of it is the vast wall in front, with the rustic columns at the great gate, through which an old porter peers sometimes with a fat and gloomy red face--and over the wall the garret and bedroom windows, and the chimneys, out of which there seldom comes any smoke now. For the present Lord Steyne lives at Naples, preferring the view of the Bay and Capri and Vesuvius to the dreary aspect of the wall in Gaunt Square.