How we cite our quotes: Citations follow this format: (Part.Chapter.Paragraph)
Quote #7
So that is marriage, Lily thought, a man and a woman looking at a girl throwing a ball. That is what Mrs. Ramsay tried to tell me wearing a green shawl, and they were standing close together watching Prue and Jasper throwing catches. And suddenly the meaning which, for no reason at all, as perhaps they are stepping out of the Tube or ringing a doorbell, descends on people, making them symbolical, making them representative, came upon them, and made them in the dusk standing, looking, the symbols of marriage, husband and wife. Then, after an instant, the symbolical outline which transcended the real figures sank down again, and they became, as they met them, Mr. and Mrs. Ramsay watching the children throwing catches. (1.13.2)
In this moment of time, Mr. and Mrs. Ramsay exemplify Marriage, at least according to Lily.
Quote #8
As they turned by the cross roads he thought what an appalling experience he had been through, and he must tell some one—Mrs. Ramsay of course, for it took his breath away to think what he had been and done. It had been far and away the worst moment of his life when he asked Minta to marry him. He would go straight to Mrs. Ramsay, because he felt somehow that she was the person who had made him do it. She had made him think he could do anything. Nobody else took him seriously. But she made him believe that he could do whatever he wanted. He had felt her eyes on him all day today, following him about (though she never said a word) as if she were saying, "Yes, you can do it. I believe in you. I expect it of you." She had made him feel all that, and directly they got back (he looked for the lights of the house above the bay) he would go to her and say, "I’ve done it, Mrs. Ramsay; thanks to you." (1.14.9)
Entering into an engagement of marriage is frightening and stressful for Paul. However, Mrs. Ramsay gave Paul the courage to propose to Minta.
Quote #9
She looked at him thinking to find this in his face; he would be looking magnificent... But not in the least! He was screwing his face up, he was scowling and frowning, and flushing with anger. What on earth was it about? she wondered. What could be the matter? Only that poor old Augustus had asked for another plate of soup—that was all. It was unthinkable, it was detestable (so he signalled to her across the table) that Augustus should be beginning his soup over again. He loathed people eating when he had finished. She saw his anger fly like a pack of hounds into his eyes, his brow, and she knew that in a moment something violent would explode, and then—thank goodness! she saw him clutch himself and clap a brake on the wheel, and the whole of his body seemed to emit sparks but not words. He sat there scowling. He had said nothing, he would have her observe. Let her give him the credit for that! But why after all should poor Augustus not ask for another plate of soup? He had merely touched Ellen’s arm and said: "Ellen, please, another plate of soup," and then Mr. Ramsay scowled like that.
And why not? Mrs. Ramsay demanded. Surely they could let Augustus have his soup if he wanted it. He hated people wallowing in food, Mr. Ramsay frowned at her. He hated everything dragging on for hours like this. But he had controlled himself, Mr. Ramsay would have her observe, disgusting though the sight was. But why show it so plainly, Mrs. Ramsay demanded (they looked at each other down the long table sending these questions and answers across, each knowing exactly what the other felt). Everybody could see, Mrs. Ramsay thought. There was Rose gazing at her father, there was Roger gazing at his father; both would be off in spasms of laughter in another second, she knew, and so she said promptly (indeed it was time):
"Light the candles," and they jumped up instantly and went and fumbled at the sideboard. (1.17.33 – 1.17.36)
Mr. and Mrs. Ramsay are so close that they can have an argument without speaking, as well as separated by the length of a dining room table. Mrs. Ramsay is furthermore so attuned to the moods of the people around her that she knows how to stave off social fiasco.