Many of them were delicious in the role; one of them was the embodiment of every womanly grace and charm. If her husband did not adore her, he was a brute, deserving of death by slow torture. Her name was Adele Ratignolle. There are no words to describe her save the old ones that have served so often to picture the bygone heroine of romance and the fair lady of our dreams. There was nothing subtle or hidden about her charms; her beauty was all there, flaming and apparent: the spun-gold hair that comb nor confining pin could restrain; the blue eyes that were like nothing but sapphires; two lips that pouted, that were so red one could only think of cherries or some other delicious crimson fruit in looking at them. She was growing a little stout, but it did not seem to detract an iota from the grace of every step, pose, gesture. One would not have wanted her white neck a mite less full or her beautiful arms more slender. Never were hands more exquisite than hers, and it was a joy to look at them when she threaded her needle or adjusted her gold thimble to her taper middle finger as she sewed away on the little night-drawers or fashioned a bodice or a bib.

Madame Ratignolle was very fond of Mrs. Pontellier, and often she took her sewing and went over to sit with her in the afternoons. She was sitting there the afternoon of the day the box arrived from New Orleans. She had possession of the rocker, and she was busily engaged in sewing upon a diminutive pair of night-drawers.

She had brought the pattern of the drawers for Mrs. Pontellier to cut out--a marvel of construction, fashioned to enclose a baby's body so effectually that only two small eyes might look out from the garment, like an Eskimo's. They were designed for winter wear, when treacherous drafts came down chimneys and insidious currents of deadly cold found their way through key-holes.

Mrs. Pontellier's mind was quite at rest concerning the present material needs of her children, and she could not see the use of anticipating and making winter night garments the subject of her summer meditations. But she did not want to appear unamiable and uninterested, so she had brought forth newspapers, which she spread upon the floor of the gallery, and under Madame Ratignolle's directions she had cut a pattern of the impervious garment.

Robert was there, seated as he had been the Sunday before, and Mrs. Pontellier also occupied her former position on the upper step, leaning listlessly against the post. Beside her was a box of bonbons, which she held out at intervals to Madame Ratignolle.

That lady seemed at a loss to make a selection, but finally settled upon a stick of nougat, wondering if it were not too rich; whether it could possibly hurt her. Madame Ratignolle had been married seven years. About every two years she had a baby. At that time she had three babies, and was beginning to think of a fourth one. She was always talking about her "condition." Her "condition" was in no way apparent, and no one would have known a thing about it but for her persistence in making it the subject of conversation.

Robert started to reassure her, asserting that he had known a lady who had subsisted upon nougat during the entire--but seeing the color mount into Mrs. Pontellier's face he checked himself and changed the subject.