How we cite our quotes: Citations follow this format: (Section.Paragraph)
Quote #4
Afterward John remembered that first night as a daze of many colors, of quick sensory impressions, of music soft as a voice in love, and of the beauty of things, lights and shadows, and motions and faces. There was a white-haired man who stood drinking a many-hued cordial from a crystal thimble set on a golden stem. There was a girl with a flowery face, dressed like Titania with braided sapphires in her hair. There was a room where the solid, soft gold of the walls yielded to the pressure of his hand, and a room that was like a platonic conception of the ultimate prism—ceiling, floor, and all, it was lined with an unbroken mass of diamonds, diamonds of every size and shape, until, lit with tall violet lamps in the corners, it dazzled the eyes with a whiteness that could be compared only with itself, beyond human wish or dream. (2.30)
John looks at the château with a childlike wonder. There is something mythological and ancient about the scene, as emphasized with allusions to Ancient Greek mythology (or mythical characters borrowed from Shakespeare).
Quote #5
John lay quietly as his pajamas were removed—he was amused and delighted; he expected to be lifted like a child by this black Gargantua who was tending him, but nothing of the sort happened; instead he felt the bed tilt up slowly on its side—he began to roll, startled at first, in the direction of the wall, but when he reached the wall its drapery gave way, and sliding two yards farther down a fleecy incline he plumped gently into water the same temperature as his body. (3.4)
John is reduced to a childlike helplessness during his stay at the château. Not that he doesn't enjoy it. But as far as his coming-of-age, this isn't exactly helping him on his way to adulthood.
Quote #6
[John] was enjoying himself as much as he was able. It is youth's felicity as well as its insufficiency that it can never live in the present, but must always be measuring up the day against its own radiantly imagined future—flowers and gold, girls and stars, they are only prefigurations and prophecies of that incomparable, unattainable young dream. (5.3)
This is an odd passage, and along with the few final paragraphs of the story, brings the theme of "Youth" to the forefront. Might John's time at the Washington estate also be an allegory for the dream-like state of youth?